Survivals of sumerian types of architecture Essay Example For Students

Stabilities of sumerian kinds of design Essay I.v association with an archeological study in southern Babylonia made in January, February and March, 1926, for the American School of Oriental Research in Baghddd, the author, while on time away from Goucher College, had the benefit of examining sorts of antiquated design revealed by late unearthings. The struc tural stays at Tell cl-Obcid and Ur went under exceptional perception and demonstrated of the most noteworthy enthusiasm as instances of craftsmanship in working among the Sumerians. During a similar overview fortresses raised by Arabs and utilized by them right now were noted in different segments of the investigated territory. By virtue of specific likenesses be tween the themes of these buildings and the structures uncovered on the dividers of revealed ruins, a premise of examination exists which shows an endurance of a portion of the compositional types of antiquit}. In the event that one beginnings from Ur in the southern part ofâ as Mesopotamia is presently called, a nd continues northwest for around four miles, the somewhat raised ddbris of Tell el-Obeid, little in degree, will be reached. Dr. II. R. Corridor, of the British Museum, started the ex cavation of Tell el-Obeid in 1919 and made various significant discoveries.1 The total examination of the archeological material in this hill was practiced by Mr. C. Leonard Woolley for the British Museum and the Museum of the University of Pennsylvania in a crusade which started the last piece of 1923. The fundamental outcome was the revelation of the foundation of a sanctuary worked by An a ni-cushion da, ruler of Ur, child of Mes-a ni-cushion da, lord of Ur. We will compose a custom article on Survivals of sumerian kinds of design explicitly for you for just $16.38 $13.9/page Request now This starting point of the sanctuary is known from a recorded marble tablet which was found in its proximity.1 Mr. Woolley demonstrates the likelihood that these vestiges of a structure raised in the fourth thousand years B.C. speak to the most established appropriately distinguished work of any regal developer. The primary piece of the strong stage comprises of â€Å"brick-earth and mud brick.† Around nearly the entire of the stage up to a tallness of somewhat more than five feet is a consumed block containing-divider. With the exception of in its lower courses this divider is charac-terized by what Mr. Woolley calls â€Å"a arrangement of shallow supports and recesses.†4 Figure 1 shows the style of design simply portrayed atâ a point where a mostly safeguarded flight of stairs protrudes.1 Such a structural element probably given an unmistakably framed ap pearance to the exteriors of the sanctuary stage. The ziggurat at Ur was fundamentally a Sumerian sanctuary tower of extraordinary respectability and straightforwardness in plan. Its remains were revealed by Mr. Woolley during the period of unearthing when Tell el-Obeid was investigated.2 Tho present day artist’s endeavor at a reestablished pic ture dependent on archeological information gives one a brief look at the prob capable unique brilliance of this antiquated holy place. Indeed, even the piece of it which has gotten away from the attacks of time, i.e., the lower stage with its three colossal flights of stairs , is ‘ the most motivating of the old monu ments of ‘Irq.†4 Fortunately the remainder which has endured to the current day returns to Ur-Engur, a Sumerian lord of the Third Dynasty of Ur, who ruled about the center of the third thousand years B.C.4 The four surfaces of this huge base, shaping a square shape 130 feet by 195 foot, are not opposite. There is a chosen inclination or slant, and the support or board structure of Tell el-Obeid is more skil completely executed ,6 demonstrating an unequivocal development in building art.â a definitive examination which this article looks to present is between the ziggurat at Ur and current Arab fortresses which show inclining and framed sides. Be that as it may, mediating periods in the historical backdrop of Mesopotamian design ought to be noted. At Ur the excavators revealed a †˜â€˜Hall of Justice,† which has a place with the center of the second thousand years h.c. As per accessible pictorial portrayals its vertical sides were developed with an articulated utilization of recesses.1 Towards the center of the principal thousand years B.C. Neo-Babylonian rulers utilized wide shallow breaks on structures with opposite dividers. A case of this is the east front of the southern stronghold at Babylon raised by Nebuchad rezzar II. Last, the sanctuary of Ninmah at Babylon, Epatu tila,4 the sanctuary of Ninib at Babylon, Frida,5 the sanctuary of Nabil at Borsippa, the Anu-Adad sanctuary at Ashur, worked by Shalmaneser II, and the entryways of the purported observatory of Sargon’s royal residence at Khorsabdd7 display a similar technique for breaking the tedium of outside dividers. During the Parthian time frame, going from the third century B.C.to the third century a.d., a comparative design improvement was used,â as is demonstrated by stays at Warka, Nippur3 and Hatra.4 Following in sequential request stands Ctesiphon,5 a brilliant Sassanian structure manufactured alout a century later than Hatra. The veneer of its incredible divider is secured by what Miss Gertrude L. Chime in 19(h) suitably portrayed as â€Å"a shallow improvement of specialties and drew in sections which is the last word in the Asiatic treatment of divider spaces, the finish of the long history of creative undertaking which started with the Babylonians and was stimulated into new power by the Greeks.†6 Coming down to Mohammedan occasions, the outstandingâ model is Ukhaidir, where specialties like those at Ctesiphon endure. There curve no engravings at Ukhaidir contemporaneous with the starting point of the structure, and subsequently it is hard to date tho ruin, yet Miss Bell marshals significant evidence to show that it has a place with the eighth century a.d. what's more, that it sprang from either late Um mayad or early Abbasid art.2 A notable structure of the Abbasid time frame, which went on until the thirteenth century a.d., is the château of El-Ashiq at Samar ra. This structure is enlivened with rectangular recessed boards containing littler angled specialties. Since there is proof that the technique for divider beautification viable had consistent arrangement in Mesopotamia fromâ Sumerian to Abbilsid times, one ought not be astonished to discover indications of its endurance in existing Arab design in southern ‘Irq. This industriousness of a theme of the builder’s workmanship doesn't, remain without anyone else, however is resembled by the conservation of different types of Sume ro-Baby-lonian culture, portrayed by the author in another publication.4 An assessment of the going with pictures uncovers the surprising closeness between the enriching rule of the ziggurat. at Ur and that utilized in current Arab structures. Figure 4 shows an Arab fortress of consumed blocks in a town along the Shatt elHai, which moves through the focal point of southern Babylonia. The lower part, of the tenderly inclining structure has perfectly executed breaks, whileâ the upper part presents an organized impact, with openings for repulsing assault by guns. Figure 5 shows a structure of standard mud dividers developed along comparative compositional linos. It is situated toward the southeast of the lower some portion of the Shatt el-Hai. The announcement ought to be made that these structures are novel in the towns where they exist. The remainder of the homes are customary reed or earth hovels. At the point when it Is recalled that tho ziggurat at Ur was un secured as of late as the 1923-24 crusade of removal, the centrality of these Arab structures with inclining sides and recessed boards can be comprehended. The flawlessness of aesthetic structure ex hibited by them can't have been an unexpected obtaining on the partâ of current Arab engineers. The craftsmanship more likely than not proceeded in some structure or other from the Abbsid time frame to the current day. In this way a specific sort of ornamentation on veneers, slowly connecting itself with other aesthetic structures, can be followed in the architec tural stays of the Tigris-Euphrates valley from the fourth millen nium B.C. to the main thousand years a.d., well into the Mohammedan period, with proof of its utilization in present Arab structures in southern ‘Iraq. Its motivation is practiced by what authors portray as ‘ shallow buttresses,† â€Å"rectangular niches,† â€Å"horizontal z ones,† or â€Å"recessed panels.† This basic balanced plan for separating the outside surfaces of structures is done on slanting just as vertical dividers. There need lie no inquiry with regards to a definitive motivation behind this painting lopsidedness in the finely planned opposite structures of the Babylonians enemies of Assyrians and their imitators, the Parthians, Sassanians and Mohammedans. For example, the Assyrian archiâ tect, so as to create a complexity of light and shadow, partitioned the outside of a divider â€Å"into exchange compartments, the one notable, the following set back, and upon these compartments he furrowed the long queues of his decoration.†1 Hence we may infer that the appar ent brace of a framed surface â€Å"had no article but to mitigate the dreariness of the structure.†2 One can barely question that such an object was answerable for the enrichment on the block work around the Sumerian sanctuary stage at Tell el-Obeid, as the breaks are shallow in examination with the thickness of the divider. With respect to the wrinkled, slanting sides of ziggurats an alternate proposal has been made. Handcock states that â€Å"the supposed ‘buttresses’ of the stage towers of Babylonia and Assyria are in most of cases water-channels for depleting the upper platforms.† Concerning the ziggurat at El-HibbaHilprccht composes, â€Å"Water was carted away by a trench of prepared blocks, which simultaneously filled in as a brace for the lower story.† It is for all intents and purposes difficult to respect the recessed boards of the ziggurat at Ur as water-courses, since there is adequate proof to demonstrate that the highest points of th

Suffering Ignored Essays - Muse Des Beaux Arts, W. H. Auden

Enduring Ignored On February 21, 1907 Wystan Hugh Auden was conceived in York England. Auden was an artist, screenwriter, and abstract pundit whose regular language and conversational rhythms has impacted current verse. Auden was at first a science major yet following quite a long while at Gresham School he understood science was not the vocation for his future. With the impact from Robert Medley, Auden started to compose verse. Because of this enormous change in Auden's life, he took on Christ Church, at Oxford. Before his takeoff from Gresham School Auden came to perceive his homosexuality. Toward the start of Auden composing profession he had an enthusiasm for Anglo-Saxon verse. Auden's verse in the 1930's to a great extent establishes a finding of modern English society amidst financial and moral rot. (Bahr p. 212) In 1930 Auden started to show school in his locale. In 1935 Auden wedded a youngster named Erika Mann. Erika was the girl of a German writer. The marriage happened just so Erika could get a British identification. In 1939 Auden moved to America. This was a defining moment in his life. Auden's composing style moved away from a large number of his previous scholarly feelings and advanced toward a reaffirmation of his youth confidence. (Magill p. 73) This change permitted him to compose verse that was said to impact individuals to Christianity. Auden was a well known present day writer who amazing notoriety depended on his specialized composition and by and large work. Albeit a few pundits state Auden's composing strayed after the 1930's, he is as yet an all around appreciated writer. True to form Auden has gotten a few artistic honors. Auden got the King's Gold Medal for verse in 1937, the Guggenheim cooperations in 1942 and 1945 and the Pulitzer Prize in 1948. (Magill 72) Auden is a sonnet that can not and won't be overlooked in artistic history. In 1939 Auden distributed a sonnet titled Musee des Beaux Arts. This is a sonnet about The widespread impassion to human adversity. (Masterplots p.1430) Musee des Beaux Arts discusses how people couldn't care less about the enduring of each other. This sonnet subject depends on a work of art by Pieter Bruegel called The Fall of Icarus. While in Brussels, Auden visited the Musees Royaux des beaux-expressions where he was spurred by three of Bruegel painting. . Musee des Beaux Arts can be paralled to the painting by Bruegel. The inconsequentiality of Icarus fall in the sea, showed by his legs standing out the sea, found in the base right hand corner, is like how the enduring of people are not imperative to one another. The sonnet is written in two sections. The primary passage comprises of a few wide articulations. In the second passage there are applications for those expansive explanations. In the main segment of the sonnet the word enduring is utilized distinctly in the principal line, in certainty enduring is the primary thing. This is significant in light of the fact that the sonnet is developed to show that it is just in its own first line and no place else on the planet that human distress gets any accentuation. (Masterplots p. 1430) As the sonnet proceeds with Auden makes reference to individuals eating or opening a window or simply strolling slowly along. These announcements feature how the enduring of individuals doesn't have an y impact on how others carry on with their life. The demise of a more odd won't cause one to cut a wrist. As the sonnet proceeds with Auden alludes to the introduction of Jesus. As the primary refrain arrives at a closure there is reference to the torturous killing of Jesus. In the sonnet the torturous killing is hindered by hounds, the mutts go on with their doggy life Auden utilizes the word doggy to speak to puerile jargon. (Masterplots p.1430) Auden utilizes the word life as opposed to lives since he indeed needs to accentuation the silly jargon. While Jesus is being tormented the torturer's pony scratches his base side. . Behind is utilized to accentuation the honest people of the youngsters. This occupies the peruser from the unpleasant shrewdness deed that was being executed. Auden utilizes a basic jargon in the Musee des Beaux Arts so the peruser can imagine the basic air. In the present society

Prof. Junot Diaz on The Colbert Report!

Prof. Junot Diaz on The Colbert Report! A week ago, Professor Junot Diaz of the MIT Department of Writing Humanistic Studies, appeared on The Colbert Report. Certainly Prof. Diaz has been doing many interviews since he won the Pulitzer Prize for Fiction, but an appearance on Colbert is always interesting. For those of you who arent familiar with The Colbert Report, there are some things you should know before you watch the below video clip. First, the show is a satirical program, poking fun at conservative political pundit programs like The OReilly Factor. On the show, Colbert plays a character modeled after commentators like Bill OReilly. And, to help with context in the interview, you should know that Lou Dobbs is a television commentator famous for his opposition to illegal immigration, and you may also know want to know what a triffid is. If youve got all that, enjoy! The Colbert Report Get More: Colbert Report Full Episodes,Political Humor Satire Blog,Video Archive If youre interested in seeing Prof. Diaz talk without being interrupted by Stephen Colbert, check out this talk he gave for [emailprotected] promoting his book, The Brief Wondrous Life of Oscar Wao: You can also listen to a more serious discussion check out this half-hour long interview from NPRs Fresh Air: Wondrous Life Explores Multinationality. Long-time readers may recall that blogger alum Mitra 07 took 21W.755: Writing and Reading Short Stories with Professor Diaz [see entry: Classes Spring 07] and later blogged about the buzz for Oscar Wao on the class discussion list [see entry: Running away with the field]. I finished Oscar Wao on vacation in Germany a few weeks back, and it was a great book put it on your summer reading list!

Second Grade Map Project Ideas

Here you will find a variety of map project ideas to correlate with your map skills lesson plans. Mapping My World This mapping activity helps children understand where they fit in, in the world. To begin read the story Me on the Map by Joan Sweeny. This will help students become familiar with maps. Then have students cut out eight different colored circles, each circle should progressively get bigger than the first. Attach all circles together with a keychain circle holder, or use a hole punch and a piece of string to attach all of the circles together. Use the following directions to complete the rest of this activity. On the first smallest circle - A picture of the studentOn the second, next biggest circle - A picture of the students house (or bedroom)On the third circle - A picture of the students streetOn the fourth circle - A picture of the townOn the fifth circle - A picture of the stateOn the sixth circle - A picture of the countryOn the seventh circle - A picture of the continentOn the eight circle - A picture of the world. Another way to show students how they fit into the world is to take the concept above and use clay. Each layer of clay represents something in their world. Salt Dough Map Have students create a salt map of their state. To begin first print out the state map. Yourchildlearnsmaps is a great site to use for this, you might have to tape the map together though. Next, tape the map to the cardboard then trace the outline of the map. Remove the paper and create the salt mixture and place it on the cardboard. For an extension activity, students can paint specific landforms on their maps and draw a map key. Body Map A fun way to reinforce cardinal directions is for students to create a body map. Partner students together and have each person take turns tracing the body of their partner. Once students have traced each other then they must place the correct cardinal directions on their own body maps. Students can color and add details to their body maps as they wish. Discovering a New Island This activity is a great way for students to practice mapping skills. Ask students to imagine that they have just discovered an island and they are the first person to have ever seen this place. Their job is to draw a map of this place. Use the following directions to complete this activity. Create an imaginary island. If you like hockey create a Sabre Island if you like Kittens create a Kitty Island. Be creative. Your map should include: A map key with symbolsA compass rose3 man-made features ( a house, building, etc)3 natural landscape features ( a mountain, water, volcano, etc.)A title on the top of the page Land-Form Dinosaur This activity is perfect to review or assess landforms. To begin have students draw a dinosaur with three humps, a tail, and a head. Plus, a sun and grass. Or, you can provide them with an outline and just have them fill in the words. To see a picture of what this looks like visit this Pinterest page. Next, have students find and label the following things: islandplainlakerivermountainvalleybaypeninsula Students can then color the rest of the picture after it is labeled. Mapping Symbols This cute mapping project was found on Pinterest to help reinforce mapping skills. It is called Barefoot Island. Students draw a foot with the five circles for the toes and label the foot 10-15 symbols that would typically be found on a map. Symbols such as school, post office, pond, etc. Students must also complete a map key and compass rose to accompany their island.

Native American Women in The Fall of the House of Usher by...

Mary Rowlandson’s captivity narrative follows the tradition of stories of women from Anglican descents that are seized by Native Americans, a genre that was enormously popular in the US at the turn of the 17th century. A defining work of American literature that presented accounts of Indian barbarity, the gallantry and superiority of white male settlers, and the helplessness of white women in need of protection and rescue. Correspondingly, Madeline Usher, the entombed sister from Edgar Allan Poe’s gothic â€Å"The Fall of the House of Usher† is presented as a bawling woman whose identity and voice is unnarratable. Madeline is not only a frightful looking and hysterical woman, but conversely a wailing body from the foundation of the House of Usher whose plight encourages us to deconstruct what else lies beneath the social and cultural foundations on which not merely the house, but the nation itself was built upon. I will use Mary Rowlandsons Narrative of the Capti vity and Edgar Allan Poes short story, The Fall of the House of Usher to illustrate how Americas physical, ethical, and ideological landscapes have been mapped on in these works, and at the expenditure of, the female body. Juxtaposing The stories of Mary Rowlandson and Madeline Usher, two women, illustrates how whether they are held captive, restored, or â€Å"put living in the tomb,† continue a state of dependence, subject to communal and discursive creations of female identity and become exemplifications of whiteShow MoreRelated Biography of Edgar Allan Poe Essay11890 Words   |  48 PagesBiography of Edgar Allan Poe Edgar Allan Poe was born at 33 Hollis Street, Boston, Mass., on January 19, 1809, the son of poverty stricken actors, David, and Elizabeth (born Arnold) Poe. His parents were then filling an engagement in a Boston theatre, and the appearances of both, together with their sojourns in various places during their wandering careers, are to be plainly traced in the play bills of the time. Paternal Ancestry The father ofRead MoreHistory of the Development of the Short Story.3660 Words   |  15 Pages(1824–26) and Nikolai Gogols Evenings on a Farm Near Dikanka (1831–32). The first examples in the United States are Charles Brockden Browns Somnambulism (1805), Washington Irvings Rip van Winkle (1819) and The Legend of Sleepy Hollow (1820), Edgar Allan Poes Tales of the Grotesque and Arabesque (1840) and Nathaniel Hawthornes Twice-Told Tales (1842). In the latter 19th century, the growth of print magazines and journals created a strong demand for short fiction of between 3,000 and 15Read MoreANALIZ TEXT INTERPRETATION AND ANALYSIS28843 Words   |  116 Pagesbetween plot and character is a vital and necessary one. Without character, there would be no plot and, hence, no story. For most readers of fiction the primary attraction lies in the characters, in the endlessly fascinating collection of men and women whose experiences and adventures in life form the basis of the plots of the novels and stories in which they appear. Part of the fascination with the characters of fiction is that we come to know them so well, perhaps at times too well. In real life

The Importance Of Fire Safe Shelter Environmental Sciences Essay Free Essays

1.0 Introduction Presents, high rise edifice has become the icon of the metropolis. Many tall edifice are constructed to carry through the increasing demand of commercial and residential development. We will write a custom essay sample on The Importance Of Fire Safe Shelter Environmental Sciences Essay or any similar topic only for you Order Now Millions of people stay and work in tower block edifice due to population and economic has been increased. Fire safety has been concern to protect their life and belongings. To guarantee the safety of the edifices and their users, the safety system and equipment should parallel with the criterion of demands and has a good execution of safety direction. Although high-rise edifices are provided with the most sophisticated safety characteristics, confidence of safety to constructing users is still questionable. Therefore, fire safe shelter has been introduced to supply better fire safety design in tower block edifice. This survey has been developed with the purpose to reexamine the importance of fire safe shelter design in tower block edifice and to overview the current fire safety design on tower block edifice, and giving recommendation to better the pattern. The methodological analysis is conducted the survey included literature reappraisal, analysis of consequences and informations aggregation. The procedure of informations aggregation is collected toward the primary informations by carry oning questionnaire studies to the respondents at the selected edifices instance surveies and from the writer A ; acirc ; ˆâ„ ¢s observation. From the survey, it was found that how the fire safety shelter integrates in fire safety design to protect the civilian in the edifices. 2.0 Issue Statement: In recent old ages, fire onslaught in high rise edifice has become the common issue which cause many civilian deceases and injured. Civilians are remaining in high rise edifice unable to get away because they are excessively high from the land. The fright of the civilian besides caused the job which makes them unable to get away. Although fire exigency issue are provided, it is excessively slow for civilian stayed in high top of the edifice to get away. The opportunity of them to get away is low. Another job is hard for fire combatants to make the upper floors. For illustration, the highest fire truck ladder can be reached in many metropoliss merely can widen to the eight floors. In order to snuff out fire above that point, fire combatants must mount up many of stepss which carry along fire hosieries and other heavy equipment. High-rise edifices are designed to be safe. When come to many civilian stay at tall edifice, exigency response is become more hard to evacuate civilians out of the edifice. What tallness is considered tower block? A tower block is defined as any edifice above 15 m or four floors in tallness or whichever is more. All tower blocks are required to supply fire protection agreements prescribed by the National Building Code ( NBC ) and the National Electricity Code ( NEC ) . These include a fire flight, fire pump and storage armored combat vehicle at the land degree, lift, lightning protection device, fire dismay, asphyxiators, etc. There are many instances related to fire incident. For illustration, the incident go on on Twin Towers of the World Trade Center in New York City wholly collapsed merely over one hr after fires raged in them upon the clang of two aeroplanes into them on 11 September 2001. This entire incident caused 2795 dead. The causes of edifices prostration was the terrible weakening of the supporting strength of the towers ‘ steel-based supporting construction under utmost heat. Besides, the high-rise flat fire in Shanghai on15 November 2010 has become attending for people around the universe. This incident has taken 53 people and injured 70 casualties. This incident happen cause by the flicker during welding work. Furthermore, there is another fire incident happen in Busan on October 2010. Based on the study, there are no casualties were reported as most occupants were dispersed after the fire broke out. Fire combatants rescued 31 occupants, four of casualties were sent to the infirmary f or intervention. Based on the probe, people suspect the cause happen from the fire started at the refuse room on the 4th floor which is extremely flammable wall stuff and strong air currents seemingly fuelled the fire. Based on incidents have been highlighted, the fire safety design needs to be considered more critically for all the high rise edifice. 3.0 Research Question: 1 ) What is the shelter design demand for high rise edifice? 2 ) The consciousness of residents about fire safe shelter. 4.0 Purposes: The purpose of this research is to entree the demand for fire safety means in high rise edifices. 5.0 Aim: 1 ) To detect how best to better fire safety by utilizing fire safe shelter. 2 ) To suggest solution on how to incorporate the fire safety design in high rise edifice. 6.0 Scope: This research will discourse the design of shelters to protect against fire onslaught. The design of such shelters requires attending to jobs such as the figure of residents remaining or working in such edifice and besides the high of the edifice will impact the design of shelter. The introducing of this fire safety system can take to better protection in order to cut down hazard of danger from residents. Besides, the counter steps for high rise edifice fire besides need to be considered to cover with big hazard as follow, 1. Protection against fire and fume 2. Emptying 3. Fire-fighting 4. Protection against prostration 7.0 Proposed Methodology In order to accomplish the aims have been stated, the research will be carried out in measure by stairss. First of all, place the aims and range needed for this research. Second follow by carry oning literature reappraisal about issue on fire incident happen in high rise edifice and the map of fire safety shelter presently utilizing on tower block edifice. This procedure will assist in better apprehension on the research subject and incorporate the cognition to the proposed topic. Besides, professional interviews with the designer and applied scientist besides will be conducted related to the fire safety shelter in safety design. Question checklist will be provided in item to forestall any missing inquiry during interview. Furthermore, questionnaire study besides will be conducted towards the respondents remaining in tower block edifice. The consequence will be collected and proceed to roll up the consequence and behavior analysis. Final will be provided a presentation based on the a nalyzed information and besides the concluding study include the decision and recommendation. How to cite The Importance Of Fire Safe Shelter Environmental Sciences Essay, Essay examples

The Role Of Enobarbus In Acts I And II Of Antony And Cleopatra Essay Example For Students

The Role Of Enobarbus In Acts I And II Of Antony And Cleopatra Essay Word Count: 795In Shakespeares tragedy/history/Roman play Antony andCleopatra, we are told the story of two passionate andpower-hungry lovers. In the first two Acts of the play weare introduced to some of the problems and dilemmas facingthe couple (such as the fact that they are entwined in anadulterous relationship, and that both of them are forced toshow their devotion to Caesar). Along with being introducedto Antony and Cleopatras strange love affair, we areintroduced to some interesting secondary characters. One of these characters is Enobarbus. Enobarbus is ahigh-ranking soldier in Antonys army who it seems is veryclose to his commander. We know this by the way Enobarbusis permitted to speak freely (at least in private) withAntony, and often is used as a person to whom Antonyconfides in. We see Antony confiding in Enobarbus in Act I,Scene ii, as Antony explains how Cleopatra is cunning pastmans thought (I.ii.146).In reply to this Enobarbusspeaks very freely of his view of Cleopatra, even if what hesays is very positive:her passions are made ofnothing but the finest part of pure love. We cannotcall her winds and waters sighs and tears; they are greater storms and tempests than almanacs can report. We will write a custom essay on The Role Of Enobarbus In Acts I And II Of Antony And Cleopatra specifically for you for only $16.38 $13.9/page Order now This cannot be cunning in her; if it be she makes a shower of rain as well as Jove. (I, ii, 147-152)After Antony reveals that he has just heard news of hiswifes death, we are once again offered an example ofEnobarbus freedom to speak his mind, in that he tellsAntony to give the gods a thankful sacrifice (I.ii.162),essentially saying that Fulvias death is a good thing. Obviously, someone would never say something like this unless they were in very close company. While acting as a friend and promoter of Antony,Enobarbus lets the audience in on some of the myth andlegend surrounding Cleopatra. Probably his biggest role inthe play is to exaggerate Anthony and Cleopatrasrelationship.Which he does so well in the followingstatements:When she first met Mark Antony, she pursed up his heart, upon the river of Cydnus. (II.ii.188-189)The barge she sat in, like a burnished throne,Burned on the water: the poop was beaten gold;Purple the sails, and so perfumed thatThe winds were lovesick with them; the oars weresilver,(II.ii.193-197)And, for his ordinary, pays his heartFor what his eyes eat only. (II.ii.227-228)Age cannot wither her, nor custom staleHer infinite variety. (II.ii.237-238)In these passages, Enobarbus turns Antonys and Cleopatrasmeeting into a fairy tale and leads the audience intobelieving the two are inseparable. His speeches in Act IIare absolutely vital to the play in that this is whatShakespeare wants the audience to view Antony and Cleopatra. Also, in these passages, Cleopatra is described asirresistible and beautiful beyond belief another viewthat is necessary for us to believe in order to buy the factthat a man with so much to lose would be willing to risk itall in order to win her love. Quite possibly, these passages may hint that Enobarbusis himself in love with Cleopatra. After all, it would behard to come up with such flowery language if a person werenot inspired. Enobarbus may be lamenting his own passionsvicariously through the eyes of Antony. This would beconvenient in questioning Enobarbus loyalty, which becomesvery important later on in the play (considering he killshimself over grief from fearing he betrayed his leader). The loyalty of Enobarbus is indeed questionable. Eventhough we never hear him utter a single disparaging remarkagainst Antony, he does admit to Menas that he will praiseany man that will praise me (II.iii.88), suggesting thathis honor and loyalty may just be simple brown-nosing. .u4b375e810e262ba7c44489dbe1b464f0 , .u4b375e810e262ba7c44489dbe1b464f0 .postImageUrl , .u4b375e810e262ba7c44489dbe1b464f0 .centered-text-area { min-height: 80px; position: relative; } .u4b375e810e262ba7c44489dbe1b464f0 , .u4b375e810e262ba7c44489dbe1b464f0:hover , .u4b375e810e262ba7c44489dbe1b464f0:visited , .u4b375e810e262ba7c44489dbe1b464f0:active { border:0!important; } .u4b375e810e262ba7c44489dbe1b464f0 .clearfix:after { content: ""; display: table; clear: both; } .u4b375e810e262ba7c44489dbe1b464f0 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u4b375e810e262ba7c44489dbe1b464f0:active , .u4b375e810e262ba7c44489dbe1b464f0:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u4b375e810e262ba7c44489dbe1b464f0 .centered-text-area { width: 100%; position: relative ; } .u4b375e810e262ba7c44489dbe1b464f0 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u4b375e810e262ba7c44489dbe1b464f0 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u4b375e810e262ba7c44489dbe1b464f0 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u4b375e810e262ba7c44489dbe1b464f0:hover .ctaButton { background-color: #34495E!important; } .u4b375e810e262ba7c44489dbe1b464f0 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u4b375e810e262ba7c44489dbe1b464f0 .u4b375e810e262ba7c44489dbe1b464f0-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u4b375e810e262ba7c44489dbe1b464f0:after { content: ""; display: block; clear: both; } READ: Dress Codes in Schools EssayShakespeare probably fashioned Enobarbus as a means ofrelaying information to the audience that would otherwise bedifficult or awkward to bring forth from other characters(such as Cleopatras beauty and the story of her betrayal ofCaesar), but he also uses him as way to inject some levityand humor in the play, showing the characters eagerness tohave a good time. Evidence of this comes in Enobarbusaffinity for drunkenness. In both Act I and Act IIEnobarbus purports the joys of drink:Bring in the banquet quickly: wine enough Cleopatras health to drink. (I.ii.13-24)Mine, and most of our fortunes,tonight, shall be drunk to bed. (I.ii.47-48)He even caps off Act II with a song for Bacchus and arequest for drunken celebration. In short, Enobarbus is used as any good secondarycharacter should be; he relays information betweencharacters, exposes other characters and their traits, givesbackground information, and lets the audience in on hissurroundings and the general moods and beliefs of the timeshe lived in.He is not just used as a database however,through his speeches and his actions we find a fullydeveloped person, someone with thoughts, motives, andfeelings all his own a character who cant be summed upin just a few sentences.